In the Moment:
Michael Frye's Landscape Photography Blog

The Light and Colors of Mono Lake

Sunbeams over Negit Island, Mono Lake, CA, USA

Sunbeams over Negit Island, Mono Lake, California. 91mm, 1/500 sec. at f/16, ISO 100.

Claudia and I recently returned from our annual workshop in the Yosemite high country. It was super fun, as usual, with a great group, and lots of interesting weather and clouds.

Before and during the workshop I photographed several sunrises and sunsets at Mono Lake. One of the things I love about Mono Lake is that it’s a great setting for light shows created by passing weather – clouds, virga, sunbeams, rainbows, and even lightning. The lake’s expanse allows you to include lots of sky, and capture some of that sky reflected in the water.

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Frolicking Bison

Bison calf kicking up its heels, Yellowstone NP, WY, USA

Bison calf kicking up its heels, Yellowstone NP, Wyoming

After our visit to the Tetons, Claudia and I spent a couple of days in Yellowstone before heading home. Since we were only there for two days, we didn’t see the variety of animals we saw in the Tetons, but did get to watch a large bison herd with numerous young calves.

These calves (often called “red dogs” because of their reddish fur) were endlessly entertaining – chasing each other, butting heads, kicking up their heels, or zooming around and around in circles to expend excess energy. Here are some photos of those adorable calves, along with one image of a Canada goose family. And I’ve also included a video Claudia made of the frolicking bison.

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Teton Wildlife

Grizzly 399 and her 18-month-old cub, Grand Teton NP, WY, USA

Grizzly 399 and her 18-month-old cub, Grand Teton NP, Wyoming

As I mentioned in my last post, Claudia and I had a great time watching and photographing the wildlife in the Tetons, and during a brief visit to Yellowstone. There’s so much wildlife in these parks, and the animals are relatively easy to see.

For us, the highlight was seeing the famous Grizzly 399 with her yearling cub, and Grizzly 1063 with her triplet cubs of the year – experiences we shared with our friends Charlotte Gibb and Chrissy Donadi, which made it even more fun.

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Teton Views

The Teton Range from Jackson Lake at sunrise, Grand Teton NP, WY, USA

The Teton Range from Jackson Lake at sunrise, Grand Teton NP, Wyoming

Claudia and I had such a great time in the Tetons, before and during the Out of Grand Teton photo conference. The conference went smoothly, as we’ve come to expect from the Out of Chicago folks. We had a great group of participants and fellow instructors, and it was fun hanging out with everyone – teaching, learning, and photographing this beautiful area. Special thanks to my wonderful teaching partner for the conference, Charlotte Gibb, and to Chris Smith, Jennifer Renwick, and all of the Out of Chicago team for making this such a great event!

I actually climbed in the Tetons in the late ’70s, and had been back a few times for photography. But that was awhile ago; in fact it had been more than 20 years since I’d photographed this area. Why did it take me so long to return? I’m not sure, but it was great to be back, and I am sure it won’t take me so long to return again.

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Shutter Speeds and Mood

Misty evening light along the Oregon coast, USA

Misty evening light along the Oregon coast. I thought a slow shutter speed (1 second) complemented the soft, misty, painterly light in this scene.

If you want to make expressive photographs – ones that capture a mood, or tell a story – then light, composition, and timing (the moment you capture) are usually the most powerful tools in your arsenal. Those three essential elements largely define the message and feeling of a photograph.

But while these tools are vital, they’re not the only ones at our disposal. We also have camera controls, like shutter speed, aperture, and filters. And we can use processing to interpret and enhance the photograph’s message.

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Dogwoods, Mist, and Bridalveil Fall

Dogwoods, mist, and Bridalveil Fall, Yosemite NP, CA, USA

Dogwoods, mist, and Bridalveil Fall, Yosemite NP, California

Before I left for my raft trip down the Grand Canyon, Claudia and I had a chance to go up to Yosemite Valley to see dogwoods. We picked a rainy, showery day, because interesting weather often generates interesting photo opportunities.

We made a circuit around the valley to check on conditions, and found lots of dogwoods blooming. Some were still in that stage where the blossoms (actually bracts) are green, but most were fully out, and beautiful, with white blossoms, but not yet leafing out, so the leaves didn’t compete with the flowers.

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One Week Left to Enter the Natural Landscape Photography Awards

Melting Ice #1

Melting Ice #1, Yosemite NP, CA, USA. This photograph of mine earned fourth place in the Abstracts and Details category in 2023.

There’s still time to enter the Natural Landscape Photography Awards contest! The deadline is next Friday, May 31st. And you can still get a 10% discount on entries by using the code FRYE10.

I’m honored to be one of the judges this year, alongside my distinguished fellow judges Viktoria Haack, Lizzie Shepherd, Matt Palmer, and Ben Horne.

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Generative Remove Comes to Lightroom

Rapid and reflections in the Colorado River, Grand Canyon NP, AZ, USA

Rapid and reflections in the Colorado River, Grand Canyon NP, Arizona. The lower-right portion of this photograph had a large blemish caused by a water spot on the sensor. This would have been difficult to remove using traditional retouching tools in Lightroom or Photoshop, but took about five seconds with the new Generative-AI mode in Lightroom.

Yesterday Adobe announced significant upgrades to Lightroom, Lightroom Classic, and Camera Raw.

To me, the biggest news is the addition of “Generative AI” for retouching. This uses similar technology to Generative Fill in Photoshop, but isn’t designed to add or create things – only to remove objects. In fact Adobe changed the name of the Healing tool to the Remove tool.

Whatever you call it, Generative AI is a big leap forward in the retouching capabilities of Lightroom. It makes Lightroom almost as powerful as Photoshop for retouching, but unlike Photoshop it works in a completely flexible, non-destructive way. Generative AI does have some limitations, however, which I discuss below.

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Canyon Moods

Dappled light above the Colorado River, Grand Canyon NP, Arizona. I used a neutral-density filter (probably seven stops) to slow the shutter speed to three seconds and smooth the water, and had to wait for moments when the wind was calm at the camera position, lest the wind vibrate the camera and blur the photo during the long exposure.

I left the Grand Canyon just a week ago. Once again I co-led a ten-day raft trip down the canyon with my friend Jerry Dodrill for Visionary Wild. And once again it was an amazing trip.

This journey is hard to describe if you haven’t experienced it. It’s more than just a photography trip – although the photography is fantastic. It’s a true wilderness adventure, immersed in the depths of this magnificent canyon for ten days, sleeping under the stars, living by the rhythm of the sun, moon, and river, sharing the experience with a small group of like-minded people. It’s unforgettable.

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Meanwhile, Back in Yosemite…

Pines, mist, and Lower Cathedral Rock, Yosemite NP, CA, USA

Pines, mist, and Lower Cathedral Rock, Yosemite NP, California (March 30th)

In between trips to Death Valley, Anza-Borrego, Big Sur, and Arkansas (for the eclipse), Claudia and I found ourselves at home, near Yosemite. Not a bad place to be.

When at home I always keep my eye out for interesting weather. And even though we didn’t have any really big storms this past winter, we had lots of smaller storms, and therefore many opportunities to photograph misty scenes of clearing storms.

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