In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | May 6, 2018 | Light and Weather, Yosemite Photo Conditions
Half Dome and clouds at sunset from Glacier Point, Yosemite (7:44 p.m.)
The Glacier Point Road opened early this year – on Saturday, April 28th. Then it closed again two days later due to a chance of snow. When Claudia and I drove up to Yosemite Valley on Tuesday to check on the dogwoods the Glacier Point Road was still closed.
On Wednesday afternoon I finished writing a post about the dogwoods, and then decided to look at the Yosemite webcams. The forecast called for a chance of showers and thunderstorms over the high country, and sure enough, the webcams showed some cloud buildup. I called the Yosemite road and weather number (209-372-0200), and lo and behold, the Glacier Point Road was open! At this point it was already 4:30 in the afternoon, but the sun wouldn’t set until 7:50, so there might still be enough time to get up to Glacier Point. I told Claudia the Glacier Point Road was open, and she didn’t hesitate: “Let’s go!”
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by Michael Frye | May 2, 2018 | Yosemite Photo Conditions
Dogwood, Yosemite (yesterday afternoon)
Claudia and I went up to Yosemite Valley yesterday to check on the dogwoods. We had heard they were a bit late this year, but were starting to come out. And indeed they seem to be coming out quickly, and are close to their photographic peak now. Some are still greenish, a few looked a bit bedraggled already, and many seem to be leafing out quickly, but overall they were quite pretty. Some trees weren’t as full as I’ve seen them in the past, but others had more blossoms than usual.
Dogwoods bloom for two to three weeks, but I think they’re most photogenic when the blossoms are fresh (like now), and before the leaves get too big (which tends to hide the flowers a bit).
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by Michael Frye | Apr 30, 2018 | Vision and Creativity, Workshops
Carmel Mission, Carmel-by-the-Sea, California. Even when a church or museum allows photography (as was the case here), a smartphone camera is less obtrusive than a big SLR.
Last month Claudia and I went to Carmel to assist our good friend Robert Eckhardt’s iPhone photography workshop. Robert is a highly creative photographer, a great instructor, and knows more about iPhone photography than anyone I’ve ever met. This is the second time we’ve done this workshop, and both editions have been really fun. Everyone (including me) learned a lot, and we had a great time photographing around Carmel and processing the images right on our phones.
Participating in this workshop made me reflect on how much smartphone photography has progressed in just a few years. Smartphone cameras have gone from novelty items to highly-capable devices, and a plethora of apps allow you to do just about anything imaginable to the photographs you take on your phone. (And some things that you would never imagine until someone makes an app for it.)
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by Michael Frye | Apr 25, 2018 | Digital Darkroom
In my last post I cautioned about updating to Version 7.3 of Lightroom Classic CC (released in early April), as many people were experiencing problems. Yesterday Adobe released an update (v. 7.3.1) to address those issues. Here’s a link to the release notes.
From what I can gather so far, this latest update seems to be working, and people are reporting that most of the problems have been fixed. That means presets are now ordered and sorted correctly, and, for the most part, profiles are no longer being inadvertently changed when applying presets. (Profiles are still sometimes getting changed when I apply a B&W Mix preset to an image. This may not be a bug, however, but an inherent problem with the new implementation of profiles.) And most of the crashes and other performance issues people experienced should be fixed.
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by Michael Frye | Apr 23, 2018 | Digital Darkroom
Earlier this month Adobe released an update to Lightroom Classic CC (v. 7.3). If you haven’t already installed this update I would wait, as many people are experiencing problems. It’s not unusual for a software update to have some issues, but this release has more problems than usual.
Most of the issues relate to presets, so if you never use presets you’ll probably be fine. If you use presets I would definitely wait until the next update. If you’ve already updated and are experiencing problems, it’s actually pretty easy to revert to the previous version (7.2) of Lightroom Classic.
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by Michael Frye | Apr 22, 2018 | Night Photography
Milky Way over the Mesquite Flat Dunes, Death Valley. We set up continuous, low-level lighting on the dunes, using two LED light panels, so that we’d have consistent lighting for each frame while capturing multiple-image panoramas. I gave everyone a homework assignment before the workshop to practice capturing panoramas, as you don’t want to try that for the first time in the dark in the sand dunes! Everyone did really well and managed to capture a panorama that stitched together properly. I used Lightroom’s Panorama Merge to blend three images together for this final photograph. The exposures for each frame were 20 seconds at f/2.8, ISO 3200.
As I mentioned in my previous post, we had two beautiful nights in the dunes during our recent Death Valley workshop. Photographically, the dunes work really well both day and night, as the sculptural quality of the sand that works so well with low-angle sunlight also lends itself to light painting.
One night we stayed out in the dunes through the wee hours of the morning, photographing star trails, then the Milky Way, followed by the moonrise and moonlight on the dunes. And when the sky started to lighten we decided we may as well wait around for sunrise.
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by Michael Frye | Apr 17, 2018 | Workshops
Sun setting behind Manly Beacon, Death Valley NP, CA, USA
We just returned from another workshop in Death Valley. The wind and weather in Death Valley always present challenges, requiring flexibility to adapt to the changing conditions. But this time, just to make things more interesting, Stovepipe Wells lost power during our stay. With high temperatures around 100 we definitely felt the lack of air conditioning. And simple tasks like charging camera batteries became difficult. But California Edison trucked in two generators, so luckily the most serious problems only lasted about 12 hours.
The power outage aside, we actually had very good photo conditions. Some wind just before the workshop cleansed the sand of footprints, and we had clear skies for our first two nights in the dunes. Then some clouds moved in, followed by a big sandstorm on our last night. Typical Death Valley stuff.
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by Michael Frye | Mar 26, 2018 | Composition
Clouds and mist from Tunnel View, Yosemite NP, CA, USA
We’ve had a series of storms recently. The last of these arrived Saturday and continued into the night. It wasn’t much of a storm; Yosemite Valley received only about three-tenths of an inch of water. But it was cold enough to leave a dusting of snow on the valley floor.
It looked like the storm would clear during the night, so I left for the valley around 11:00 p.m. Saturday, arriving just after midnight. But clouds and snow showers kept lingering so I ended up dozing in my car. I woke up around 5:30 a.m. and saw a few stars for the first time. At least the clearing seemed well-timed for sunrise.
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by Michael Frye | Mar 18, 2018 | Composition
Sunbeams and morning mist from Tunnel View, Yosemite. While photographing this dramatic light from Tunnel View a few years ago, I zoomed out wide enough (to 40mm) to leave some dark areas between the bright clouds and the edges of the frame.
When you compose a photograph, you put a frame around a piece of the world, at a certain moment, and say, “Hey, look at this.” It’s the frame that creates the composition, and it’s the edges that define the frame. That’s why it’s so vital to pay attention to the edges of your photographs.
It’s always a good idea to run your eye around the edges of the viewfinder before pressing the shutter. Look for anything that might be distracting, and see if you can get rid of it. Look for objects that are cut in half along the edge, and decide whether you should include them or eliminate them.
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by Michael Frye | Mar 4, 2018 | Composition, Yosemite Photo Conditions
Winter morning, El Capitan and the Merced River, Yosemite NP, CA, USA
The big storm finally ended last night. Yosemite Valley received about four-and-a-half inches of liquid precipitation since Thursday. It started as snow, then changed to rain for awhile, and then changed back to snow, with about a foot of snow accumulating on the valley floor. Precipitation for this water year is still well below average, but this storm was a big help.
The forecast called for snow showers to continue all day Saturday and linger into the evening. But you never know, so I set my alarm for 4:00 a.m. on Saturday morning in case the storm started to break earlier than expected. After getting rudely awakened by the alarm I checked the radar and satellite images, which showed clear skies approaching from the west. But it didn’t look like they would reach Yosemite Valley until at least a couple of hours after sunrise. And besides, showers often linger in the mountains, and all the forecast predictions showed showers continuing in Yosemite all day. I went back to bed.
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