In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Oct 30, 2016 | Night Photography
Mobius Arch at night, Alabama Hills, CA, USA
We just finished a nighttime workshop in the Trona Pinnacles and Alabama Hills. The forecast for our last evening wasn’t promising, calling for mostly cloudy skies and a 70 percent chance of showers. But I told the group that as long as it wasn’t raining there was still a lot we could do, and if we got just a few small breaks in the cloud cover the mix of stars and clouds could be really beautiful.
As sunset approached we headed out to the famous Mobius Arch in the Alabama Hills. We photographed some interesting cloud formations in late-afternoon light, then at dusk set up our cameras to frame the arch with the sky above. The skies were mostly cloudy, just as predicted. Radar images showed showed heavy rain falling west of the Sierra crest. But from our position in the Alabama Hills, in the rain shadow created by the mountain wall, a patch of sky to our west-soutwest stayed partially clear, and remained that way most of the evening. Something about the trajectory of the wind and rain created that rift in the clouds and kept it in place.
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by Michael Frye | Oct 23, 2016 | Yosemite Photo Conditions
Autumn hillside, Bishop Creek Canyon
We just finished our Eastern Sierra Fall Color workshop, and start another workshop tomorrow, so I just have time for a quick post. But we had a lot of fun last week with our group. Autumn arrived early on the east side, and then a storm came through just before the workshop, closing many Sierra passes and blowing leaves off the trees. But we still found some beautiful color; I’ve included a few photographs here made during and just before the workshop.
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by Michael Frye | Oct 9, 2016 | Vision and Creativity
Aspen-covered hillside, Bishop Creek Canyon
During our recent trip to the eastern Sierra I hiked up a trail I’d never been on before. I hoped the trail might lead to view overlooking a hillside full of aspens. It didn’t – at least not directly. I had to leave the trail and work my way out on some rock outcrops, where I did finally reach a spot with a view of that aspen-covered hillside, and made the photograph above.
I was pretty happy with that image; I liked the curving line of bare trunks, and the way the clumps of pines in the lower-right and upper-left corners played off each other. But my eyes kept getting pulled to some aspens next to the rock outcrop. The leaves on these trees displayed a wonderful kaleidoscope of hues – yellow, orange, red, green, even a bit of maroon. I realized that these aspens right in front of me had at least as much photographic potential as the ones on the distant hillside.
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by Michael Frye | Oct 6, 2016 | Composition, Light and Weather
Sunrise on Mt. Whitney from the Alabama Hills, CA, USA
On our trip to the eastern Sierra last week Claudia and I made a detour down to the Alabama Hills. This area is a bit further from home than our usual eastside haunts, so we don’t go there often, and I sometimes forget how amazing it is. The jumbled rocks of the Alabama Hills are interesting and photogenic in their own right, but combined with the abrupt escarpment of the mountains to the west… well it’s just spectacular.
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by Michael Frye | Oct 2, 2016 | Digital Darkroom, Yosemite Photo Conditions
Sunset clouds over North Lake, autumn, Inyo NF, CA, USA
Claudia and I are back home, but we had fun photographing on the east side last week. Every day we saw more color in Bishop Creek Canyon, and the high-elevation aspens were looking great when we left yesterday.
I made this photograph Friday evening. We had been photographing intimate scenes along the south fork of Bishop Creek for a couple of hours, but there were some clouds hugging the crest of the mountains, so I headed to North Lake where I could get a wider view if the clouds turned color at sunset.
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by Michael Frye | Sep 28, 2016 | Yosemite Photo Conditions
Aspens, reeds, and reflections, Bishop Creek Canyon, Inyo NF, CA, USA
Claudia and I are over on the eastern side of the Sierra checking out the early fall color. The high-elevation aspens typically start turning over here in late September, and they’re right on schedule, or maybe even a little early compared to some years. We drove up Bishop Creek Canyon yesterday, and found lots of color near the 9,000-foot level around Lake Sabrina and North Lake. I’d say these areas are near peak already, with a few bare trees, and some green, but probably 70 to 80 percent of the aspens turning.
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by Michael Frye | Sep 22, 2016 | Composition
Rocks and reflections along the shore of Tenaya Lake, Yosemite. This image features both curves and circles.
I really like curved lines. I was reminded of this last weekend when my friend Mike Osborne showed me some of his junkyard abstracts on his iPad. All the photographs were wonderful and imaginative, but the ones I liked best often had curves. And many of my own favorite photographs have curves too. Curves look organic, and sensuous, and add a certain visual flow to a photograph that’s hard to generate without them.
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by Michael Frye | Sep 11, 2016 | Night Photography
DeChambeau Hotel and I.O.O.F. Hall at night, Bodie State Historic Park, CA, USA
On the last night of our recent Starry Skies Adventure workshop we went to Bodie, which is always a great place for night photography. As the Milky Way moved into the southwest that evening it lined up well with these two buildings along Main Street, the DeChambeau Hotel and I.O.O.F. (Independent Order of Odd Fellows) Hall. I had never photographed this view of Bodie before so decided to try it, and was joined by several other people in the workshop.
I knew the lighting would be complicated, but that’s part of the fun of photographing Bodie at night. You can do relatively simple light-painting there, or, if you’re up for a challenge, try something complex. Here we wanted make it look as if the buildings were lit from the inside (even though the interiors were locked and inaccessible to us). That’s not really hard to do – just shine flashlights through the windows. The hard part was figuring out how to keep yourself out of the frame while doing so. The solution was to do each part of the lighting in a separate frame, and then mask off the unwanted areas of that frame (like a person holding a flashlight) in Photoshop.
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by Michael Frye | Sep 8, 2016 | Critiques
Yosemite Valley View by Srinivasa Punnamraju
The Photo Critique Series is not dead! It just took a long vacation. 🙂 This time we’ll look at a photograph by Srinivasa Punnamraju from Tunnel View in Yosemite.
Light and Weather
Srinivasa was lucky to catch some dramatic weather at Yosemite’s most iconic location, Tunnel View. There were plenty of interesting clouds overhead, and some nice mottled patterns of light and dark on the cliffs – especially the striped bands on El Capitan to the left.
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by Michael Frye | Sep 7, 2016 | Night Photography
Jeffrey pine and the Milky Way, Yosemite NP, CA
We conducted two more workshops last week, our second editions this summer of the Inside Bodie and Starry Skies Adventure workshops. We had a lot of fun once again, with great conditions and really nice people.
I made this photo on the first night of our Starry Skies workshop near Olmsted Point in Yosemite. Several members of our group and I framed views of this photogenic Jeffrey pine with the Milky Way and Half Dome in the distance. We made some exposures with just starlight, then tried to light the tree with a flashlight. Later we did some more complex lighting, but I ended up liking this simple version with just one flashlight aimed at the tree. We used a homemade snoot on the flashlight to narrow the beam and prevent too much light from spilling onto the rocks below the tree.
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