In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Apr 14, 2016 | Yosemite Photo Conditions
Dogwood blossoms, Yosemite Valley, from April 21st, 2007
Last year the dogwoods in Yosemite Valley bloomed two or three weeks sooner than normal. This year they seem to be on a more typical timetable, but may still arrive a bit early.
Claudia and I were in Yosemite Valley on Tuesday afternoon, and saw the first signs of the dogwoods blooming. When dogwood blossoms first appear they’re small and green. Over the course of about a week or so they gradually become larger and brighter until they turn completely white. (Except for the centers, which become yellow-green. Those centers are the real flowers; the white “petals” are actually bracts.) On Tuesday there were lots of green blossoms, and only a few white ones. We didn’t see a single tree with all-white blossoms, only a few that were partially white. But that should change pretty quickly. There should be a few trees with all-white blossoms by this weekend, and I’d guess that the majority will be in full bloom by the end of next week.
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by Michael Frye | Apr 11, 2016 | Advanced Techniques, Yosemite Photo Conditions
Poppies, lupines, goldfields, and tri-colored gilia, Merced River Canyon, Wednesday afternoon. A focus-stacked blend of four different frames.
It’s spring, which means it’s wildflower season, and focus-stacking season.
There’s been a secondary poppy bloom in the eastern end of the Merced River Canyon near El Portal. No big swaths of poppies, but smaller patches, and some of those patches are mixed with other flowers, which always makes things more interesting. Claudia and I spent the afternoon up there on Wednesday, and had a great time. I’ve included a couple of my favorite images from that day here.
As I was processing the images later, it occurred to me that all of them required focus stacking. Literally every single one. And this is very common for me when photographing wildflowers. I don’t need focus stacking often in other seasons, but in spring I use this technique all the time. It’s just difficult to get everything in focus with one frame when photographing wildflowers. I’m frequently picking out a particularly dense patch of flowers, and using a telephoto lens to emphasize patterns and visually compress the space, making the flowers look closer together. Even with careful focusing and f/22 it’s impossible to get everything in focus with a long lens raking across a field of flowers like that. But even with wide-angle lenses it’s sometimes difficult to get everything in focus with one frame, because I’m getting really close to the foreground flowers, so there’s a tremendous amount of depth.
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by Michael Frye | Apr 3, 2016 | Light and Weather, Yosemite Photo Conditions
Rainbow, mist, and Yosemite Falls, March 14th
I recently wrote about photographing a clearing storm from the Four-Mile Trail, but that was actually my second journey up that trail last month. The first time was a week earlier, on March 14th, as another rainstorm cleared early in the morning. At that time I hadn’t been up the Four-Mile Trail in several years, but I remembered that you could see some great views of Yosemite Falls from the trail, and the unusually high early-spring water levels in falls made it seem worth trying.
I had a vague memory of finding some good views of the falls that weren’t very far up the trail, but apparently my memory was faulty, as all the lower views were partially obscured by trees. I found a decent view about 600 feet above the valley floor, but kept going up and up the switchbacks until I reached some better spots. On the way I also saw misty scenes looking west toward Cathedral Rocks and El Capitan, which I had to photograph, giving me a convenient excuse to stop and rest:
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by Michael Frye | Mar 27, 2016 | Travels and Stories
Poppies, lupines, and oak, Figueroa Mountain
Claudia and I took a few days this past week to look for wildflowers. It doesn’t seem like a great year for flowers, at least compared to some past years, but we did find some nice patches.
Our first stop was Carrizo Plain National Monument. We had heard some promising reports from this area, and we found extensive patches of yellow hillside daisies along the south and east sides of Soda Lake. We also heard that there are large swaths of purple phacelia in the southern part of the monument, but we didn’t make it down that far. However the Temblor Range, on the eastern edge of the Monument, seemed very dry. There were patches of daisies in the Temblors, but none of the multi-colored hillsides you’ll see in the best years. If you’ve never been to the Carrizo Plain in the spring it’s definitely worth going, as you’ll find some large swaths of beautiful flowers on the valley floor, and a bit of searching will reveal mixes of different species that work well for more intimate scenes. But if you’ve been to the Carrizo in a great year you’ll probably be a little disappointed with the display this spring.
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by Michael Frye | Mar 24, 2016 | Light and Weather, Travels and Stories
Half Dome and North Dome at sunrise from the Four-Mile Trail, 8:07 a.m. Tuesday morning
A small storm rolled through Monday night. The showers tapered off during the wee hours Tuesday morning, and I rose early, hoping to once again photograph a clearing storm in Yosemite Valley.
The moon was nearly full, and I actually got to the valley early enough to capture some images of the clearing storm by the light of the setting moon. Then some clouds moved in. I looked at the radar images on my phone, and saw a band of showers approaching. It looked like the showers would reach me around sunrise, and pass through pretty quickly. Hmm. I might have just enough time to hike up the Four-Mile Trail to a spot with a view of Half Dome that I’d been wanting to try.
It would be a gamble. Staying near the roads on the valley floor would give me more flexibility; I could wait to see what happened with the weather, and within five or ten minutes be at one of my favorite, familiar locations. But on this morning I wanted to try something different, so I decided to take a chance and go for it.
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by Michael Frye | Mar 20, 2016 | Advanced Techniques
White-faced ibises, goldfields, and a vernal pool at sunset, San Joaquin Valley, Calfornia
There’s often an element of luck in landscape photography. Of course, as Ansel Adams said, “Chance favors the prepared mind.” You have to try to put yourself in the right place at the right time, and then make the most of the opportunities you get. But sometimes luck goes above and beyond.
Yesterday Claudia and I made a day trip to the Bay Area on business, and on our way home we decided to check out some vernal pools in the San Joaquin Valley. Vernal pools fill with water during the winter rainy season, and then slowly evaporate during the spring. As they evaporate, flowers grow along their shores, sometimes forming concentric rings of color. As California’s Central Valley got plowed and paved over, vernal pools became increasingly scarce, so they’re home to several rare species of plants and animals. Most of the remaining vernal pools can be found along the edges of the valley, where the land rises slightly, but the San Luis National Wildlife Refuge complex and Great Valley Grasslands State Park have preserved some vernal pools in the heart of the San Joaquin Valley, and that’s where we headed.
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by Michael Frye | Mar 17, 2016 | Yosemite Photo Conditions
Redbuds in the Merced River Canyon, Monday afternoon
The redbuds have been coming along nicely in the Merced River Canyon, along Highway 140 west of Yosemite. I drove through the canyon on Monday, and most of the redbuds were blooming. Not all of those that were blooming were fully open yet, and some redbuds were still just budding. On the other hand, I saw a few that were starting to leaf out. Overall I’d say they were not quite at peak, but there were plenty of beautiful redbuds to photograph. They’ll probably peak around this weekend, or next week.
It was harder to tell what was going on with the poppies in the canyon. In late February it was starting to look like we would have a great year for poppies. There were a couple of very colorful hillsides in the western part of the canyon, and the bloom was spreading further east. But since then we’ve had a lot of rain. While rain is usually good for wildflowers, poppies like warm sunshine — at least once they begin blooming. A stretch of cold, rainy weather will cause already-blooming poppies to pack it in for the year and go to seed.
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by Michael Frye | Mar 13, 2016 | Light and Weather, Photography Tips, Yosemite Photo Conditions
Sun breaking through fog in an oak grove, Yosemite, 8:06 a.m. yesterday
Friday’s storm got cold enough to drop a couple of inches of snow on Yosemite Valley. The storm cleared during the night, but showers lingered until the wee hours Saturday morning. It seemed possible that we might find some mist at sunrise, so Claudia and I drove up early to Yosemite Valley.
Indeed there was some mist, and broken clouds overhead. That seemed like a perfect combination for Tunnel View; if the clouds lit up it would be a gorgeous sunrise from there. But soon after I arrived at Tunnel View the clouds dissipated. There was still some mist down in the valley below, but it would take awhile for the sun to get high enough to light that mist, and without clouds to block it the sun would be right in my face, making it difficult to avoid lens flare.
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by Michael Frye | Mar 10, 2016 | Announcements, Vision and Creativity
Autumn Sunrise, Half Dome and the Merced River, Yosemite – one of the examples in my latest article for Photograph magazine
We can’t control the weather. We don’t determine where trees grow, mountains form, or rivers flow. In landscape photography we have almost no control over our subjects, so we have to adjust to the conditions at hand.
Craft & Vision just released Issue 15 of Photograph magazine, which includes my piece called “The Art of Being Flexible.” I think flexibility is an essential skill for landscape photographers. Since we have so little control over our subjects, we have to be willing and able to react to changing weather and conditions, and try to take advantage of whatever opportunities present themselves, even if those opportunities weren’t what we expected. The article discusses this subject in depth, and includes several examples showing how to anticipate the weather and light, recognize possibilities, and take advantage of the opportunities you’re given.
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by Michael Frye | Mar 6, 2016 | Yosemite Photo Conditions
Morning sunlight on Yosemite Falls, Yosemite NP, CA, USA
After a very dry February the weather pattern has changed, with a series of storms dumping large quantities of rain and snow on California this weekend. Yosemite Valley received almost four inches of rain since Friday as a wet “atmospheric river” lined up to hit the northern and central parts of our state.
It was a warm system, with snow levels over 8,000 feet during most of the storm. The dry, sunny weather over the last month had already created exceptionally high flows in Yosemite’s waterfalls for this time of year, but all that rain over the last few days gave them an extra boost. I drove up to Yosemite Valley this morning and found the waterfalls roaring. They looked more like May than March. And there were small, ephemeral waterfalls everywhere.
Before the storm started to clear this morning I photographed Lower Yosemite Fall in soft light, and then as the sun began breaking through I decided to stay and photograph the upper and lower falls. The sun reaches this waterfall earlier in the morning during March than it does in April or May, making the light much more interesting. You don’t get many opportunities to photograph it this time of year with so much water – and with mist around the upper fall. Here’s one of the photos from this morning.
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