In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Mar 13, 2016 | Light and Weather, Photography Tips, Yosemite Photo Conditions
Sun breaking through fog in an oak grove, Yosemite, 8:06 a.m. yesterday
Friday’s storm got cold enough to drop a couple of inches of snow on Yosemite Valley. The storm cleared during the night, but showers lingered until the wee hours Saturday morning. It seemed possible that we might find some mist at sunrise, so Claudia and I drove up early to Yosemite Valley.
Indeed there was some mist, and broken clouds overhead. That seemed like a perfect combination for Tunnel View; if the clouds lit up it would be a gorgeous sunrise from there. But soon after I arrived at Tunnel View the clouds dissipated. There was still some mist down in the valley below, but it would take awhile for the sun to get high enough to light that mist, and without clouds to block it the sun would be right in my face, making it difficult to avoid lens flare.
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by Michael Frye | Mar 10, 2016 | Announcements, Vision and Creativity
Autumn Sunrise, Half Dome and the Merced River, Yosemite – one of the examples in my latest article for Photograph magazine
We can’t control the weather. We don’t determine where trees grow, mountains form, or rivers flow. In landscape photography we have almost no control over our subjects, so we have to adjust to the conditions at hand.
Craft & Vision just released Issue 15 of Photograph magazine, which includes my piece called “The Art of Being Flexible.” I think flexibility is an essential skill for landscape photographers. Since we have so little control over our subjects, we have to be willing and able to react to changing weather and conditions, and try to take advantage of whatever opportunities present themselves, even if those opportunities weren’t what we expected. The article discusses this subject in depth, and includes several examples showing how to anticipate the weather and light, recognize possibilities, and take advantage of the opportunities you’re given.
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by Michael Frye | Mar 6, 2016 | Yosemite Photo Conditions
Morning sunlight on Yosemite Falls, Yosemite NP, CA, USA
After a very dry February the weather pattern has changed, with a series of storms dumping large quantities of rain and snow on California this weekend. Yosemite Valley received almost four inches of rain since Friday as a wet “atmospheric river” lined up to hit the northern and central parts of our state.
It was a warm system, with snow levels over 8,000 feet during most of the storm. The dry, sunny weather over the last month had already created exceptionally high flows in Yosemite’s waterfalls for this time of year, but all that rain over the last few days gave them an extra boost. I drove up to Yosemite Valley this morning and found the waterfalls roaring. They looked more like May than March. And there were small, ephemeral waterfalls everywhere.
Before the storm started to clear this morning I photographed Lower Yosemite Fall in soft light, and then as the sun began breaking through I decided to stay and photograph the upper and lower falls. The sun reaches this waterfall earlier in the morning during March than it does in April or May, making the light much more interesting. You don’t get many opportunities to photograph it this time of year with so much water – and with mist around the upper fall. Here’s one of the photos from this morning.
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by Michael Frye | Feb 28, 2016 | Yosemite Photo Conditions
Poppies in the Merced River Canyon, April 2014
Spring has arrived early this year. It seems the poppies in the Merced River Canyon west of Yosemite liked the warm February weather we’ve been having, and they’ve been appearing in greater numbers over the last two weeks. On Friday, when Claudia and I drove up to Yosemite Valley for the Yosemite Renaissance opening reception, we saw some vibrant patches of poppies on the north side of the canyon (opposite Highway 140) a few miles easts of Briceberg. Other spots further east were just starting to show tinges of orange, but I expect those areas will become more colorful. It’s shaping up to be a good year for poppies in the canyon, but it’s just getting started, and the flowers are likely to last for several more weeks if the weather cooperates.
I’ve also seen photos of brilliant poppy displays in the southern Sierra foothills (east of Fresno and Bakersfield). And Death Valley is having a good bloom right now also. But southern California has received below-average rainfall so far this winter, so some of the best wildflower spots in the state like the Carrizo Plain and Antelope Valley probably won’t have great displays this year unless they get more rain soon.
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by Michael Frye | Feb 21, 2016 | Digital Darkroom, Vision and Creativity
Beam of light striking Bridalveil Fall, Yosemite NP, CA, USA
“The term visualization refers to the entire emotional-mental process of creating a photograph, and as such, it is one of the most important concepts in photography.”
— Ansel Adams
I’ve become increasingly aware of the power of visualization over the years. Looking back through my own work, it’s clear that my best photographs were created when I had a strong response to a subject or scene, knew the feeling I wanted to convey, and was able to visualize in advance how I wanted the finished image to look.
But what does visualization mean, and how does it apply to digital photography today? Although Adams mostly talked about visualization in relation to technique, he also made it clear that visualization was part of the creative process. He wrote: “Visualization is a conscious process of projecting the final photographic image in the mind before taking the first steps in actually photographing the subject. Not only do we relate to the subject itself, but we become aware of the its potential as an expressive image.”
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by Michael Frye | Feb 19, 2016 | Light and Weather, Yosemite Photo Conditions
El Capitan and Horsetail Fall at sunset, Yosemite
I rose early yesterday morning to go up to Yosemite Valley, thinking the storm might clear just after sunrise. But showers persisted, and the sun didn’t break through until almost ten o’clock. By the time I finished photographing it was almost noon, so I decided to stay in the valley until sunset.
In the afternoon typical after-storm condensation clouds formed around the rim of the valley. Thinking those clouds might add something to a photograph of Horsetail Fall, and allow me to capture something a little different from my other images of this waterfall, I headed for a spot with a good overall view of El Cap and Horsetail.
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by Michael Frye | Feb 17, 2016 | Yosemite Photo Conditions
Horsetail Fall last night, 5:27 p.m.
February has been completely dry around here so far, with very warm temperatures. That warm weather has been melting the snow on top of El Capitan and creating a strong flow in Horsetail Fall – easily the most water in the fall since 2010. Yesterday was another clear, warm day (the high in Yosemite Valley was 67 degrees), with nearly ideal conditions for Horsetail. I wondered when I might see such conditions again, so I decided to head up to Yosemite Valley.
A first-hand look at Horsetail actually revealed less water than I expected. With the exceptionally warm weather we’ve been having I thought Horsetail would really be gushing, perhaps even approaching the high flow shown in this photograph from 1995. But nevertheless it was flowing well. I’d say the water level was a little above average for February (and, of course, way more than anything we’ve seen during the last four years of drought).
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by Michael Frye | Feb 14, 2016 | Composition, Vision and Creativity
Tundra swans at sunrise in a San Joaquin Valley marsh
Happy Valentine’s Day!
This photograph of tundra swans seemed appropriate today. Swans mate for life, so you always see them in pairs, or in a small group when parents are joined by their young cygnets. The two subjects of this photograph were undoubtedly a mated pair.
One of the challenges of photographing these swans was that they kept their heads underwater for long periods of time while they were feeding. Periodically one of their heads would pop up briefly, but then plunge underwater again, and it was rare for both swans to have their necks raised at the same time. I expended many pixels trying to capture moments when both swans had their heads up. Even when I managed to catch both of them with their heads visible, often one of the swans would have its back to me, or be in some other awkward position.
But I stayed alert and patient, and eventually things came together. Both swans lifted their heads for maybe ten seconds – an eternity, it seemed – while I held down the shutter button. At one point the swan on the left even turned its head and looked back at the swan on the right. Perfect. That little gesture made a big difference in the photograph by creating a visual connection between the two swans.
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by Michael Frye | Feb 8, 2016 | Vision and Creativity
Ross’s geese in the fog at sunrise, San Joaquin Valley, CA, USA
Claudia and I have made several trips to California’s Central Valley this winter to photograph birds. It’s one of our favorite things to do this time of year, when large flocks of waterfowl take up residence in the valley’s marshes for a few months before migrating northward in the spring. I love watching and photographing the movements of these flocks, especially the white geese – the snow geese and Ross’s geese. Seeing 10,000 geese take off in a single, noisy, coordinated wave is simply awe-inspiring, but there’s magic and beauty in their smaller comings and goings as well.
My approach to photographing wildlife is similar to my approach to photographing landscapes. Rather than making closeup photographs of individual animals, I’m trying to incorporate the animals into the landscape, looking for ways to capture a mood and convey what it felt like to be in a particular place at a particular time, watching a unique and beautiful moment.
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by Michael Frye | Feb 2, 2016 | Night Photography, Travels and Stories
Stars, mist, Three Brothers, and the Merced River, Yosemite, Sunday night
Every storm has to end eventually. Even Noah got a reprieve after 40 days and 40 nights. I didn’t have to wait quite that long for this past weekend’s storm to clear, but at first it seemed like the timing was less than ideal.
There was a small chance that the storm might clear before sunset on Sunday, so Claudia and I drove up to Yosemite Valley that afternoon. It was snowing when we got there, and kept snowing, and it soon became apparent that clearing wasn’t imminent. I photographed snow-covered trees until it got dark, then we joined our friend Charlotte Gibb for drinks and dinner at the Yosemite Lodge bar.
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