In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Oct 29, 2023 | Composition, Travels and Stories
Vine maples and big-leaf maples, autumn, Olympic NP, Washington
Earlier this month, Claudia and I spent about two weeks on the Olympic Peninsula in Washington. Part of that time I was co-leading a workshop for Visionary Wild with Jerry Dodrill, which was super fun. We had a great, lively group of people, and beautiful conditions, with lots of fall color, and a gorgeous sunset on the beach.
This was our second trip to the Olympic Peninsula this year, and we loved both visits. There’s something about temperate rain forests that seems to strike a chord with me, whether on the Olympic Peninsula, in the redwoods, or on the west coast of New Zealand.
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by Michael Frye | Oct 19, 2023 | Digital Darkroom
Aspens and bigtooth maples, northern Utah. I used the new Point Color tool to tweak the originally dull-looking greens and yellows in this photo and make them more vibrant.
Last week Adobe launched major updates to Lightroom Classic (13.0), Lightroom Desktop (7.0), and Lightroom Mobile (9.0). The biggest new features are HDR editing, Point Color, and Lens Blur.
All of these new tools deserve their own post, but we just finished a workshop, and we’re still traveling, so for now I’m just going to explain a few of the salient features, and steer you to some more in-depth information.
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by Michael Frye | Oct 1, 2023 | Travels and Stories
White-lined sphinx moth and larkspur, Yosemite NP, California. 200mm, 1/4000 sec. at f/16, ISO 1250.
Summer arrived late this year in the Sierra high country, as the prodigious amounts of snow left over from last winter took awhile to melt. Snowmelt, mosquitos, and wildflower blooms all started and ended at least a month later than normal.
But that meant that summer lingered longer as well; we were still finding lots of flowers in late August.
And something about the timing of everything, or the great abundance of flowers, seemed to suit the white-lined sphinx moths. Claudia and I started seeing lots of these moths, along with their caterpillars, during July in the Eastern Sierra, and kept finding them anywhere we saw flowers for a good two months afterward.
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by Michael Frye | Sep 3, 2023 | Composition
Ripples and reflections in an alpine lake, Inyo NF, California. 227mm, 1/125 sec. at f/22, ISO 1250.
During our Range of Light workshop in July we found some striking reflections in a mountain lake. These weren’t mirror reflections, because a nearby cascade was pouring into the lake, rippling the surface of the water. But that’s actually what made the reflections so interesting. The ripples created squiggly lines and shapes in the water, as the surface reflected blue sky and late-day, golden light shining on rocks and snowbanks across the lake.
It was a great situation for making abstract images, so I encouraged our participants to zoom in with a long lens to try to capture the patterns. While I often like using slow shutter speeds for water images, capturing these ripples required fast shutter speeds to freeze the water’s motion and preserve the intricate patterns. And the patterns would be more prominent if everything was in focus, which required stopping down the aperture to get as much depth of field as possible.
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by Michael Frye | Aug 29, 2023 | Light and Weather, Yosemite Photo Conditions
Sunbeams, Half Dome, and Nevada Fall from Glacier Point, Yosemite NP, California
As the remnants of Tropical Storm Hilary moved through California, I looked for opportunities to photograph interesting weather. I thought we might get thunderstorms, which we did, especially as the first bands of moisture reached our area. But I wasn’t able to find a thunderstorm in the right position to photograph it. We did, however, get three-quarters of an inch of rain at our house from one thunderstorm.
Then, as this large weather system moved off to the north, I realized there might be a chance to photograph a clearing storm Monday morning (August 21st). It looked like the rain would end around sunrise in Yosemite; it was less clear whether the clouds would dissipate enough for the sun to break through that early.
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by Michael Frye | Aug 20, 2023 | Light and Weather, Travels and Stories
Mud tiles in late-afternoon light, Death Valley NP, California
I’m thinking about Death Valley, and other desert areas in California currently affected by the rain from Tropical Storm Hilary. These are places that receive very little precipitation, where the ground is mostly rock and dirt, and even a half-inch of rain can fill normally-dry washes and create flooding and debris flows. There are few bridges along the roads in the desert; they just run right through the washes, because it’s so rare for those washes to have any water in them. That means even minor flooding or debris flows can cause lots of damage.
This storm could bring several inches of rain to many desert areas today and tomorrow. Some places could get a year’s worth of precipitation, or several year’s worth, in just a couple of days, or even a few hours. It’s a scenario that could cause major rock and mudslides, wipe out roadways, and create catastrophic flash floods. I hope everyone in those areas has found a safe place to ride out the storm.
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by Michael Frye | Aug 13, 2023 | Light and Weather, Travels and Stories
Tufa formations and osprey at sunrise, Mono Lake, California
I love the diversity of our area. We live in the foothills on the western side of the Sierra Nevada, a region that includes rolling grasslands, oak savannah, chaparral, oak woodlands, and steep-sided river canyons. Just to the west of that is California’s Central Valley, an agricultural hub that also contains marshes and wetlands, hosting vast flocks of waterfowl in winter.
To our east lies the higher terrain of the Sierra, including the wondrous Yosemite Valley, plus magnificent conifer forests, meadows, canyons, rivers, lakes, and peaks. And when Tioga Pass is open we can reach the eastern side of the mountains in about two-and-a-half hours, where the trees give way to high desert, with sagebrush, junipers, pinyon pines, pronghorn antelope, wild horses, stunning views of the Sierra – and the uniquely beautiful shores of Mono Lake.
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by Michael Frye | Aug 7, 2023 | Announcements
Sunbeams, mist, Half Dome, and the Merced River, Yosemite National Park, California
High-contrast images can be challenging to process. How do you both darken highlights and lighten shadows, without making the image look too flat, weird, or over-processed?
On August 26th I’ll present a live webinar where I’ll demonstrate how to tackle this challenge. I’ll take you step-by-step through processing one or more high-contrast photographs, where you’ll learn powerful yet simple techniques for balancing contrast, while keeping the image lively and natural-looking. Here’s a partial list of the topics we’ll cover:
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by Michael Frye | Jul 30, 2023 | Light and Weather
Melting Ice #1. 400mm, 1/15 sec. at f/16, ISO 100, two-frame focus stack blended in Photoshop.
Claudia and I love going up to the Yosemite high country in summer. But we hadn’t been able to get up there because the Tioga Road opened so late. We’d been over to the eastern side of the Sierra a couple of times (via Sonora Pass), and we were even able to get up to the top of Tioga Pass from the east side on the last day of our Range of Light workshop. But we hadn’t seen Olmsted Point, Tenaya Lake, or Tuolumne Meadows since last summer, which felt strange.
Tioga Road finally opened on July 22nd, by far the latest opening date ever. And two days later Claudia and I headed up and over the pass. It was great to see our familiar high-country haunts again, with lots of water in the meadows and creeks, and flowers beginning to bloom. We kept remarking on how everything is happening so late this year – at least a month later than usual.
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by Michael Frye | Jul 26, 2023 | Announcements
Tomorrow I’ll be joining the Out of Chicago team and ten other Out of Big Sur instructors to present a free webinar called From Lens to Print. We’ll all be sharing insights and practical advice on the photographic process, from before pressing the shutter to the finished print.
The Out of Big Sur photo conference next March will include a special emphasis on that whole process, including printing, because of the rich photographic history of that region. Many legendary photographers made that area their home, including Edward Weston, Ansel Adams, Wynn Bullock, Morley Baer, and Henry Gilpin, and their “west coast” school of photography placed a great emphasis on printmaking.
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