Sunrise along the Oregon Coast. I used some of the powerful selection tools in Lightroom’s new Masking panel to re-process this image, balancing the bright highlights and dark shadows, and bringing out subtle colors and definition in the foreground.
Today Adobe officially released a major update to Lightroom, Lightroom Classic (v11.0), and Camera Raw (v14.0), featuring a completely revamped method of making local adjustments called Masking. This new implementation improves the layout and functionality of the local adjustments, adds some powerful new selection tools, and allows you to combine tools in almost unlimited ways to create exactly the selection you want.
With the new Masking panel, all of your local adjustments can be viewed together, rather than spread out between three panels (Graduated Filter, Radial Filter, and Adjustment Brush). You can also rename each mask, turn each mask off and on, and view the masks with different overlays.
Aspens in fog, White River NF, Colorado. I used a bit of negative Dehaze to slightly soften this image.
In preparing my recent presentation for the Out of Chicago Live conference, I was digging through my archives for examples to use, and found some interesting images I had overlooked. In some cases I had put them aside, too busy to process them at the time, and then just forgot about them. In other cases I think my perceptions had changed. And sometimes I could see the potential to process an image differently, using new tools and new skills.
One of those tools is the Dehaze slider in Lightroom. It’s not that new (2015), but didn’t exist when I initially processed some images, and can sometimes make a big difference – especially with fog. I’m a big fan of fog for forest scenes, and these days I’m often using Dehaze selectively with the Adjustment Brush to cut through fog in one part of an image, or thicken fog in another area to hide or deemphasize something. (Just to be clear, you can’t create fog where none existed; there has to be some fog to begin with. But you can make some tenuous fog look a little more substantial. I show how to do all this in my latest Lightroom course, Landscapes in Lightroom: Advanced Techniques.)
On October 20th Adobe released an update to Lightroom, Lightroom Classic, and Adobe Camera Raw that included a new tool – the Color Grading panel. It replaces the old Split Toning panel.
What is color grading? I guess I have a broader definition of that term than Adobe does. To me, color grading includes a wide range of color adjustments that go beyond the basics of setting a white balance and adjusting saturation. Mainly I think about adjusting individual hues to either bring the colors of an image into better harmony, or to separate and differentiate hues to create more color contrast.
Adobe just a released a new update to Lightroom Classic. There’s nothing earth-shattering here, but they’ve added a couple of nice new features that I think you’ll find helpful: a new Hue slider for local adjustments, and an updated interface for the Tone Curve. I explain these changes in this video:
(If you’re viewing this post as an email and can’t see the video, click here.)
There’s a lot going on under the hood in Lightroom – things that aren’t obvious, and aren’t talked about much, not even by Adobe. For example, all the Tone sliders in the Basic Panel are image-adaptive – that is, their behavior changes based on the image content. The two most important image-adaptive behaviors are the automatic highlight recovery, and the automatic black-point adjustment, which kick in when a raw file has overexposed highlights or underexposed shadows.
The seven-minute video above explains how the automatic highlight recovery and automatic black point adjustment work. The full 44-minute video about the Basic Panel Tone Controls has much more, including an in-depth look at all the Tone sliders, an explanation of why Adobe’s default settings might not be the best starting place for many images, and demonstrations of how I approach processing both high-contrast and low-contrast images in Lightroom.
Free Video: Profile Browser Overview This free video includes the first 9 minutes of the complete 33-minute video, and shows how to use and navigate the Profile Browser, how to add and remove profiles from your Favorites list, how use the Amount slider with Creative Profiles, and more. The complete video is included in my Landscapes in Lightroom ebook and video package. If you’re viewing this post as an email, click here to see the video.
In April Adobe added a new feature to Lightroom Classic CC: the Profile Browser. The initial release of this update (Version 7.3) had many bugs, but those problems seem to have been resolved now, so I thought it was time to delve into this new feature in detail.
Profiles are actually nothing new. Every raw file needs a profile to convert the raw data into the colors and tones you see on your screen. And ever since Lightroom 2 you’ve been able to choose different profiles (essentially different flavors of color and contrast), but those options were hidden down in the Camera Calibration panel, where most people never found them.
I’ve been using Lightroom since Adobe released the beta version in 2006. Over the years I’ve learned many shortcuts, and in this video I share some of my favorite tips – things I use all the time to streamline my workflow:
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