Travels and Stories
by Michael Frye | Feb 2, 2016 | Night Photography, Travels and Stories
Stars, mist, Three Brothers, and the Merced River, Yosemite, Sunday night
Every storm has to end eventually. Even Noah got a reprieve after 40 days and 40 nights. I didn’t have to wait quite that long for this past weekend’s storm to clear, but at first it seemed like the timing was less than ideal.
There was a small chance that the storm might clear before sunset on Sunday, so Claudia and I drove up to Yosemite Valley that afternoon. It was snowing when we got there, and kept snowing, and it soon became apparent that clearing wasn’t imminent. I photographed snow-covered trees until it got dark, then we joined our friend Charlotte Gibb for drinks and dinner at the Yosemite Lodge bar.
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by Michael Frye | Jan 17, 2016 | Light and Weather, Travels and Stories
Half Dome and North Dome above Yosemite Valley, Friday morning, 8:24 a.m.
I’m so grateful for all the rain and snow we’ve been getting. After four years of drought, it’s wonderful to have a normal, wet winter. We’ve had storm after storm, and although most of the recent ones have been small, they add up. Yosemite Valley has received 24.63 inches of rain since July 1st, which is well above average. Badger Pass, at 7,200 feet, has 60 inches of snow on the ground, and the deepening snowpack raises hopes of full waterfalls this spring.
All this weather has been great for photography. It seems like we’ve already had more snow and clearing storms this season than the last four winters combined.
The latest in the series of small storms came through on Thursday night. I didn’t pay much attention to it, because it was predicted to be a weak system, and a warm one. I happened to wake up at about 4:00 a.m. Friday morning, and checked the radar images on my phone. It was raining pretty hard at our house, but the radar showed that the precipitation might end soon, possibly right around sunrise.
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by Michael Frye | Nov 8, 2015 | Travels and Stories
Aspens and reflections, Uncompahgre NF, Colorado. This small, remote pond had a beautiful stand of aspens growing next to it. The trunks remind me of a baleen whale’s teeth.
As I said in this recent post, I had many opportunities to photograph aspens as part of a larger landscape this fall. But of course I photographed more intimate scenes as well, and I’ve included a selection of smaller-scale aspen photographs from Colorado here. Some of these images actually encompass a large geographic area, but I made the somewhat arbitrary distinction of defining an intimate landscape as anything that didn’t include sky.
On our first autumn visit to Colorado last year we split our time between the Kebler Pass/McClure Pass area and the San Juan Mountains. This year we spent the whole time in the San Juans, which allowed us to get to know this area better. There’s always something to be said for that. As you become more familiar with a place, you discover some of the lesser-known locations. You also start to learn the weather patterns, and know where to go at sunrise or sunset when there might be interesting clouds.
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by Michael Frye | Oct 6, 2015 | Travels and Stories
Aspens near Red Mountain Pass, Colorado, USA
We’ve had a wonderful time in Colorado – again. The color hasn’t been as good as last year, but all the locals said that was one of the best autumns they’ve seen. This year the color was shaping up nicely around the San Juan Mountains in the southwestern part of the state, but then last Friday strong winds blew the leaves off many of the aspen leaves. Some areas seem to have received especially strong winds, leaving either bare trees or green ones, and few yellow leaves. But other places weren’t affected much at all, so there were still large swaths of spectacular color.
Here’s a photo from last week near Red Mountain Pass, outside of Ouray. This was made before the wind storm, but this is a high-elevation, early-changing spot, so some of the leaves had already fallen. Sometimes, however, a mixture of colorful leaves and bare trees is more interesting than just a mass of color; in this case the bare patches helped to make the diagonal lines of color stand out and create a pattern.
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by Michael Frye | Sep 30, 2015 | Travels and Stories
Autumn afternoon in the mountains near Telluride, Colorado, yesterday afternoon
I had planned to go to the Alabama Hills or Death Valley for last Sunday’s lunar eclipse, but high clouds streamed in from the Pacific and threatened to block the view. So at the last minute Claudia and I decided to go further south, toward clear skies that were visible on satellite photos. We ended up in Joshua Tree National Park – along with many, many other people who seemed to think this was a good place to view the eclipse.
They were right of course – it was a great place. And the skies cooperated for the most part. I captured a sequence that I think will work, but I haven’t had a chance to process it yet, because the next morning we started driving to Colorado. We loved our autumn visit last year, and just had to go back. Colorado welcomed us with some nice clouds on our first afternoon; I’ve included one image from that evening above.
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by Michael Frye | Jul 3, 2015 | Night Photography, Travels and Stories
Lightning over the Sierra Nevada foothills, Mariposa County, CA, USA
We had some pre-Fourth-of-July fireworks here Wednesday night. At about 11:00 p.m. I let our dog Rider out before going to bed, and noticed flashes in the sky to the south. Sleep could wait! Claudia and I headed to a nearby viewpoint on Triangle Road, and saw lightning in three separate storm cells to the southeast, south, and southwest.
When watching thunderstorms you often only see cloud-to-cloud lightning, but on this night we could see some distinct bolts hitting the ground. I watched closely to try to determine where the most lightning activity was taking place. My first try didn’t work, but then another spot further to the right seemed to become more active, so I pointed my camera there, locked the tripod, and captured a series of 30-second exposures (each at f/9.5, 800 ISO). This photograph is a blend of five separate frames capturing seven or eight lightning bolts.
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