Mountains, glaciers, and chinstrap penguins, Antarctica
At the end of our trip to Antarctica for Visionary Wild, I told Claudia that the thing I was going to miss most was seeing penguins every day. It seemed strange to be heading back to a world without penguins, since they had been a daily part of our lives for two weeks.
And penguins are so much fun to watch. While supremely graceful in water, they’re awkward on land. Yet every day many penguins climb and descend from their nests on slopes so steep they would intimidate most humans. They fall all the time, but always seem to bounce back up and keep going. They’re determined and dedicated parents; they have to be to thrive and reproduce in this harsh environment. And they’re feisty. They won’t tolerate other penguins getting too close to their nest, or intruding on their space.
Sandhill cranes at sunrise, San Joaquin Valley, California
During this past winter Claudia and I spent a lot of time in California’s Central Valley. This area isn’t known for its scenic beauty, but we found a lot of beauty there.
This was once a vast region of seasonal wetlands and flower-filled prairies, teeming with waterfowl, elk, pronghorn antelope, wolves, grizzly bears, and endless acres of springtime flowers. It’s estimated that 500,000 tule elk once roamed this region, and early visitors described flocks of wintering geese so large and dense they darkened the midday sky. This “American Serengeti” existed less than 200 years ago, in an area now occupied by farmlands, towns, and cities.
Sandhill crane takeoff, San Joaquin Valley, California. 327mm, 1/500 sec. at f/5.6, ISO 2000.
Every year Claudia and I photograph migratory birds wintering in California’s Central Valley. It’s a world of constant motion, with groups of birds taking off, landing, moving from fields to ponds (and back), skimming over marshes, or probing the water for food.
It’s that motion that we find so captivating, and it’s that motion that’s so challenging to photograph. It takes lots of practice to learn how to follow birds in flight, keep them in focus, adjust exposures on the fly, zoom in and out as needed, and make instant decisions about composition.
Tule elk bulls in fog, Pt. Reyes National Seashore, California
This photograph is from very deep in my archives: 1988. At that point I had only been photographing seriously for a few years. Claudia and I met in ’84, got married in ’86, and in ’88 were both working at The Ansel Adams Gallery and living in Yosemite Valley.
In those early years the main focus of my photography was wildlife. I also photographed landscapes and other nature subjects, but wildlife was my passion. I used to spend hours in the wonderful Yosemite Research Library, reading studies about wildlife habitats and animal behavior.
I’ve had a love affair and obsession with snow geese, along with their close cousins Ross’s geese, for 25 years. Watching a large flock of these birds take flight, filling the sky from horizon to horizon while deafening your ears with their calls, is an unforgettable, transcendent experience.
I’ve photographed these birds in every way imaginable over the years. You can see more images of them in my album of bird photographs on Google+, including some deliberate blurs, and a flash-blur. Last Wednesday and Thursday Claudia and I drove down to the San Joaquin Valley once again to photograph birds. This time I focused on capturing ethereal images of geese in the fog, and tried looking straight into the late-afternoon sun. I’ve included some notes on the accompanying photos a little further down.
On Wednesday Claudia and I returned to the San Joaquin Valley with our friend Kirk. We had another great day, capped by watching more than 10,000 Ross’ geese land in a pond right in front of us, silhouetted against the dusk sky. Claudia and I came back the next morning and watched them all fly out, the white birds reflected in the still water.
Video is a great medium for showing the incredible sights and sounds of these birds, and Claudia did an amazing job of capturing these events with our little Flip Mino video camera. At the end of each video you’ll also see some stills that I made.
I’ve been using Lightroom since Adobe released the beta version in 2006. Over the years I’ve learned many shortcuts, and in this video I share some of my favorite tips – things I use all the time to streamline my workflow:
We will never sell or share your email address with anyone. Read our complete Privacy Policy.
Subscribe to My Blog:
Success! Now check your email to confirm your subscription.
