In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | May 11, 2016 | Advanced Techniques, Digital Darkroom, Yosemite Photo Conditions
Spring sunrise, Gates of the Valley, Yosemite, Sunday morning
First, to my subscribers, thanks for your understanding about the email glitches yesterday. I really appreciate all the supportive emails so many people sent. Your kind words turned a frustrating day into a great one.
I haven’t posted anything new on the blog for awhile because I was teaching a workshop, and then working on our new website. The new site is still a bit of a work in progress, so if you find any broken links or other issues please let me know. But the new site better integrates the blog with the other content, makes it easier to add and update portfolios, and will work much better with phones and tablets, so I hope it will be a better experience for everyone.
Meanwhile we had a great workshop, with flowing waterfalls, fresh spring greenery, dogwoods, and some interesting weather and clouds. And the cool, showery spring weather has continued, which I love. I’m not ready for the summer heat, and always happy to have clouds and mist to photograph.
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by Michael Frye | Apr 24, 2016 | Yosemite Photo Conditions
Morning reflections, dogwood and the Merced River, Yosemite NP, CA, USA
We had a nice spring storm on Friday. Here in Mariposa we heard some loud thunder, and experienced a torrential downpour for about ten minutes. We got about half and inch of rain altogether, but Yosemite Valley got an inch and a third, which is a big total for April. Snow fell on the rim of the valley, and the Glacier Point Road, which had opened on Tuesday, was closed again temporarily.
The storm cleared after sunset on Friday, and Claudia and I drove up to Yosemite Valley early on Saturday morning, hoping for mist. There wasn’t much mist, but we found some dogwoods in a small patch of fog near the base of Middle Cathedral Rock, which kept me busy for awhile. Later, as the sun started to reach down into the valley, I photographed more dogwoods against the background of the Merced River, with golden reflections in the water.
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by Michael Frye | Apr 14, 2016 | Yosemite Photo Conditions
Dogwood blossoms, Yosemite Valley, from April 21st, 2007
Last year the dogwoods in Yosemite Valley bloomed two or three weeks sooner than normal. This year they seem to be on a more typical timetable, but may still arrive a bit early.
Claudia and I were in Yosemite Valley on Tuesday afternoon, and saw the first signs of the dogwoods blooming. When dogwood blossoms first appear they’re small and green. Over the course of about a week or so they gradually become larger and brighter until they turn completely white. (Except for the centers, which become yellow-green. Those centers are the real flowers; the white “petals” are actually bracts.) On Tuesday there were lots of green blossoms, and only a few white ones. We didn’t see a single tree with all-white blossoms, only a few that were partially white. But that should change pretty quickly. There should be a few trees with all-white blossoms by this weekend, and I’d guess that the majority will be in full bloom by the end of next week.
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by Michael Frye | Apr 11, 2016 | Advanced Techniques, Yosemite Photo Conditions
Poppies, lupines, goldfields, and tri-colored gilia, Merced River Canyon, Wednesday afternoon. A focus-stacked blend of four different frames.
It’s spring, which means it’s wildflower season, and focus-stacking season.
There’s been a secondary poppy bloom in the eastern end of the Merced River Canyon near El Portal. No big swaths of poppies, but smaller patches, and some of those patches are mixed with other flowers, which always makes things more interesting. Claudia and I spent the afternoon up there on Wednesday, and had a great time. I’ve included a couple of my favorite images from that day here.
As I was processing the images later, it occurred to me that all of them required focus stacking. Literally every single one. And this is very common for me when photographing wildflowers. I don’t need focus stacking often in other seasons, but in spring I use this technique all the time. It’s just difficult to get everything in focus with one frame when photographing wildflowers. I’m frequently picking out a particularly dense patch of flowers, and using a telephoto lens to emphasize patterns and visually compress the space, making the flowers look closer together. Even with careful focusing and f/22 it’s impossible to get everything in focus with a long lens raking across a field of flowers like that. But even with wide-angle lenses it’s sometimes difficult to get everything in focus with one frame, because I’m getting really close to the foreground flowers, so there’s a tremendous amount of depth.
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by Michael Frye | Mar 27, 2016 | Travels and Stories
Poppies, lupines, and oak, Figueroa Mountain
Claudia and I took a few days this past week to look for wildflowers. It doesn’t seem like a great year for flowers, at least compared to some past years, but we did find some nice patches.
Our first stop was Carrizo Plain National Monument. We had heard some promising reports from this area, and we found extensive patches of yellow hillside daisies along the south and east sides of Soda Lake. We also heard that there are large swaths of purple phacelia in the southern part of the monument, but we didn’t make it down that far. However the Temblor Range, on the eastern edge of the Monument, seemed very dry. There were patches of daisies in the Temblors, but none of the multi-colored hillsides you’ll see in the best years. If you’ve never been to the Carrizo Plain in the spring it’s definitely worth going, as you’ll find some large swaths of beautiful flowers on the valley floor, and a bit of searching will reveal mixes of different species that work well for more intimate scenes. But if you’ve been to the Carrizo in a great year you’ll probably be a little disappointed with the display this spring.
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